OW124 Beak Chair des. Ole Wanscher, 1951 (made by Carl Hansen & Son)
The OW124 Beak Chair created by Ole Wanscher was introduced in 1951. It is a splendid example of the designer’s unique ability to add sculptural dimension to his furniture.
Seen here in oiled oak and sif leather costing £2900 plus postage which is calculated at checkout. If you order this chair on this page, this is the specification you will receive - lead time 6-8 weeks. A selection of other woods and beautiful materials are available to order, to find out more visit our expert team in store / email email@example.com / call 01274 531163
Ole Wanscher presented the OW124 Beak Chair at the Copenhagen Cabinetmakers’ Guild Furniture Exhibition in 1951. An elegant mark of Wanscher’s refined design and bold pushing of boundaries, the chair was also a testament to his masterful grasp of furniture-making. The Beak Chair’s distinctive look is thanks in part to the beak-like armrests that inspired its name. This unique design feature demands carefully selected materials and skilled craftsmanship, as do the upholstered seat and back. Showing Wanscher’s preference for slender dimensions and durable shapes, the design features slim, gently curving elements that seamlessly unite in an organic flow. Only the armrest cover caps remain visible: a functional and decorative detail similar to a bird’s eye.
About Ole Wanscher
Ole Wanscher (1903-1985) was integral to the core aesthetic and functionality of modern Danish design. He studied under Kaare Klint at the Royal Danish Academy of Fine Arts and later worked at Klint’s design studio before becoming an independent furniture designer. He helped shape Danish furniture design as a designer and as an educator when he took over Klint’s professorship at the Academy.
Wanscher’s classic and contemporary designs made him popular. In 1958, the Danish newspaper Politiken wrote: “Owning a Wanscher chair is an adventure every day, and will be so even several hundred years from now, for this is how long it lasts”. Today, his modern classics are still revered for their detail and his deep respect for materials.